Post by Stacy on Nov 8, 2010 23:58:10 GMT -5
I have John Dewey's book about this, but I haven't read it yet.
And it's already past 11 here, so this isn't going to be the grand well thought out post I was imagining. Guess I'll do that on my LJ later. Instead, you guys get my raw thought process.
Here's a blog post with some excerpts and discussion.
Pure Experience
I especially like the last comment, by Kevin - about Schopenhauer and ordinary awareness versus aesthetic awareness.
This is what drives me mad about the webfic culture, about the idea of different tastes, about people rejecting art without giving it a chance.
It's just - I think that if you come to a work of art with prejudices about its quality, its genre, its author, whatever, it dilutes the experience. You don't really get into the story, step into the world created by the art. It passes by you and you are left untouched.
And more than anything, I want to touch people. I want them to enter into the story. I want them to judge my work based on itself, not on their opinion of me or Sims stories or webfic or WordPress or horror/suspense/whatever it is I write or anything external to the work itself.
I was thinking about this, and I realized that at some point, the pure innocent experience of art may require some social advantages. Like thinking of my experiences with George R.R. Martin - my husband can enjoy his books for what they are because he's a guy and he's never been sexually abused. Me - I read an early scene with a dude abusing his little sister and threw the book down and had a mini breakdown.
So I don't think it's possible to come to every work of art totally innocent and open. But I think it's a good ideal to strive for.
And yeah - aesthetic awareness is my default setting. Thus why I was so drawn to Eastern philosophy once I found it. Western philosophy seemed so dry and white and male and logical and rational and materialist and left-brained and full of dick contests. And utterly boring. Then one day I wandered over to the Eastern philosophy section. I had come home.
But it's just - is experiential thought better than analytical criticism? I don't think so, because more and more I hesitate to say that one way of understanding the world is any better than another way. As long as no one is getting hurt. And so...
I don't think it's necessarily better, but I think our culture has perhaps gone too far over on the analytical side and could use some right brained Eastern experiential ideas. Like enjoying a work of art on its own and for itself.
And oh man - it's nearly midnight and I really need to get to bed, so I will leave the whole thing about how language forms attitudes which form thoughts which form actions (I'm not sure if I'm remembering that correctly - it's a formula I came up with years ago to show how language is extremely important and slurs are most definitely not funny jokes) and how everything is connected to everything else and so even debates on how to approach art have a trillion moral implications for later.
And it's already past 11 here, so this isn't going to be the grand well thought out post I was imagining. Guess I'll do that on my LJ later. Instead, you guys get my raw thought process.
Here's a blog post with some excerpts and discussion.
Pure Experience
I especially like the last comment, by Kevin - about Schopenhauer and ordinary awareness versus aesthetic awareness.
This is what drives me mad about the webfic culture, about the idea of different tastes, about people rejecting art without giving it a chance.
It's just - I think that if you come to a work of art with prejudices about its quality, its genre, its author, whatever, it dilutes the experience. You don't really get into the story, step into the world created by the art. It passes by you and you are left untouched.
And more than anything, I want to touch people. I want them to enter into the story. I want them to judge my work based on itself, not on their opinion of me or Sims stories or webfic or WordPress or horror/suspense/whatever it is I write or anything external to the work itself.
I was thinking about this, and I realized that at some point, the pure innocent experience of art may require some social advantages. Like thinking of my experiences with George R.R. Martin - my husband can enjoy his books for what they are because he's a guy and he's never been sexually abused. Me - I read an early scene with a dude abusing his little sister and threw the book down and had a mini breakdown.
So I don't think it's possible to come to every work of art totally innocent and open. But I think it's a good ideal to strive for.
And yeah - aesthetic awareness is my default setting. Thus why I was so drawn to Eastern philosophy once I found it. Western philosophy seemed so dry and white and male and logical and rational and materialist and left-brained and full of dick contests. And utterly boring. Then one day I wandered over to the Eastern philosophy section. I had come home.
But it's just - is experiential thought better than analytical criticism? I don't think so, because more and more I hesitate to say that one way of understanding the world is any better than another way. As long as no one is getting hurt. And so...
I don't think it's necessarily better, but I think our culture has perhaps gone too far over on the analytical side and could use some right brained Eastern experiential ideas. Like enjoying a work of art on its own and for itself.
And oh man - it's nearly midnight and I really need to get to bed, so I will leave the whole thing about how language forms attitudes which form thoughts which form actions (I'm not sure if I'm remembering that correctly - it's a formula I came up with years ago to show how language is extremely important and slurs are most definitely not funny jokes) and how everything is connected to everything else and so even debates on how to approach art have a trillion moral implications for later.